the stranger analysis

Meursault’s reaction to the death of his mother illustrates how emotionally detached he really is. And he was very unhappy about that. Our writers will create an original "Literary Analysis of the Stranger by Albert Camus" essay for you. His lack of feeling and emotions, also his belief of the meaning of life portray him as an existentialist. I told that to Loretta, and she said, “Well then, we’re not going to make it.”‘ When Spiegel insisted, Young brought in her agent to intervene: ‘Imagine getting a star’s agent in to ensure that she wouldn’t get a closeup!’, Welles recalled, saying of Young, ‘She was wonderful.’. I tried to persuade him that it wouldn’t cost him anything.’. But opting out of some of these cookies may have an effect on your browsing experience. Meursault, an asocial person is such an individual. While there are some people who might find such relationships unsatisfying and limited, Meursault and those he is connected to seem to be content with their “friendships”. See how absurd Meursault’s statement sounds? Several scenes were taken from Nazi Concentration Camps (1946), a documentary shot and assembled by the filmmakers George Stevens and Ray Kellogg, and the lawyer and politician James B. Donovan, which was used as evidence in the Nuremberg Trials.
‘Orson Welles plainly gets much pleasure out of playing villainous roles, to judge by his choice and performance of bogey-men in the past.

Welles was a firm supporter of Roosevelt’s Good Neighbor policy, and felt himself obliged to carry out this work in Latin America – even though it meant a rush to finish shooting on Journey into Fear, the spy film which would eventually be released in February 1943. The main character, Meursualt appears utterly detached from other people. Maman died today. Later on in the book, after he kills an Arab, not once does he show any remorse or guilt for what he did. Had Meursault been engaged in his defense, explaining his actions, he might have been set free. But I didn’t dare say anything (Camus 16). Raymond Sintes, a neighbor who is a pimp, seems to feel comfortable with Meursault. Welles starred in and produced the picture, with many film critics and film historians also crediting him with the direction, ostensibly the work of Norman Foster. A Lesson Before Dying: Mr. Grant Wiggins Analysis. The sun is presented several times throughout the novel as the force that influenced Meursault’s cruel actions which led to his beheading at the end. This website uses cookies to improve your experience while you navigate through the website. Meursault’s responses are very different, he doesn’t get depressed at death nor does he get emotionally involved. And since most of the good stuff in my movies doesn’t advance the story at all, you can imagine what a nemesis he was to me.’. Tone Genre What’s Up With the Title? Welles called Nims ‘the great supercutter, who believed that nothing should be in a movie that did not advance the story. Existentialism is the belief that existence precedes essence and that there is no true purpose to human life. Then, when she would come back, he’d go to bed with her and right at the last minute he’d spit in her face and throw her out. The ironic part of this quote is how he described the sun as being inhuman and oppressive. OW: No, I didn’t know him at all. His emotional indifference makes the stranger in the story. Faithfully yours.’ That doesn’t mean anything. If a person fails to follow these rules, society views them as a threat and as a stranger that does not belong.

Meursault on the other hand blamed the sun which is a ridiculous assertion. Setting Writing Style Symbolism, Imagery, Allegory Narrator Point of View Booker's Seven Basic Plots Analysis Plot Analysis Three Act Plot Analysis Allusions .

Maybe it was yesterday (Camus 3). His reaction illustrated that death is something that is bound to happen. And Billy House had a very unhappy first week too, as well as Eddie. He is unmoved by his mothers death, and a day after begins a love affair with Marie Cordona. At the funeral, Meursault was more concerned about how exhausted he was, how bad his back was hurting, and how hot it was instead of grieving for the death of the person who gave him life. His lack of emotion and responsibility towards the murder he committed further helped the court in seeing him as a monster who needed to be put down. None of the Arabs in The Stranger are named, reflecting the distance between the French colonists and native people.

He said, “Give it to him, I don’t care. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies.

He is traced by Wilson by means of a former associate, Konrad Meinike, who journeys from Latin America before meeting his demise.

He’s the inventor of their monstrous mass-murder machine. And I was shooting him that way because Loretta Young’s side was the other one, you see. Or yesterday maybe, I don’t know. To conclude, being socially isolated from society leads to being emotionally numb, which can result in acts that others may perceive as inhumane. But the whole film, produced by S. P. Eagle, comes off a bloodless, manufactured show. LM: And Robinson wasn’t actually a crony of yours, or a…. Production lasted from late September until 21 November 1945, with the picture released the following July. This novel begins with the terrible news that Meursault’s mother had passed away. He wanted to write her a letter, one with a punch and also some things in it to make her sorry for what she’s done. I got a telegram from the home: ‘Mother deceased. Where the strands of culture entwine, Culturedarm brings together a diversity of music, literature, sport, food, television, and film. In an interview with the BBC’s Leslie Megahey, who produced the two-part Arena special The Orson Welles Story in 1982, Welles recounted their differing outlooks: ‘LM: …Welles originally told the studio he wanted a woman to play [Edward G.] Robinson’s part, Agnes Moorehead. His limited involvement might attract some people because an end result of his distance is a sort of acceptance of others, thus he is not a threat to their egos. And that was Billy House, a burlesque comedian that I found and put in the movie. Meursault also sees the sun as the force that made him murder a man in cold blood. He eventually spent six months without compensation touring Latin America on behalf of the OCIAA. Meursault does not get involved or care about anything else, he just want get up, go to the same job [...], Albert Camus's book The Stranger contains a very complex character, Monsieur Meursault. Required fields are marked *. The Stranger Analysis. Plot moves forward at a relentless pace in depicting the hunt of the Allied Commission for Prosecution of Nazi War Criminals for a top Nazi who has removed all traces of his origin and is a professor in a New England school. He stated of Nims, ‘I fought him tooth and nail all through it and won in the case of The Stranger‘ – citing the exception of an early sequence which would have depicted Meinike’s flight through Latin America before reaching the town of Harper, Connecticut, whose excision may have been enough to explain Welles’ lingering ambivalence towards the finished work. The Stranger was the first commercial film to use documentary footage from the Nazi concentration camps: Wilson shows clips to Mary as he compels her to turn against her husband. People who barely knew his mother were more upset than he was. He thought the stand-in was there to play the part in case he wouldn’t be good enough. Another example from the novel that illustrates how indifferent Meursault is about others is when he helps Raymond lure back his mistress to him. Camus seems to indicate that Meursault is almost oblivious and totally unruffled and untouched by events and people around him. On the other hand, a successful film offered the possibility of a four-movie deal and increased creative control. I probably did love Maman, but that didn’t mean anything. One of the classic examples of an existentialist novel, The Outsider tells the story of an unremarkable man, living a simple, bachelor existence in Algeria. If anything, he is the one who is being inhuman by worrying more about the heat than his own mother being dead. Science, English, History, Civics, Art, Business, Law, Geography, all free!

Ernest J. Nims was given editorial control by International, and reportedly cut 30 pages before filming began. This will be the site of the film’s climactic pursuit. Sometimes a person like Meursault can be appealing to others because he is so non-judgmental and uncritical, probably a result of indifference rather than sympathetic feelings. Yes, that would punish her, I thought (Camus 32). It might actually have been the cause of the guilty verdict at his trial for killing the Arab. A normal person actually dreads the day that death will separate them from those who they love. Welles said that he did The Stranger ‘to show people that I didn’t glow in the dark, you know.

His reactions to life and to people distances him from his emotions, positive or negative, and from intimate relationships with others, thus he is called by the book’s title, “the stranger”. He displays impassiveness throughout the book in his reactions to the people and events described in the book. That I could say “action” and “cut” just like all the other fellas.’ He achieved his part, completing shooting under budget and a day ahead of schedule.

Funeral tomorrow. […], It is true that Mr. Welles has directed his camera for some striking effects, with lighting and interesting angles much relied on in his technique. But here was an unknown actor, given great hunks of scenes that should have gone to the money, you know. From his edit of 131 minutes, RKO cut more than 40 minutes and reshot the film’s ending, replacing Welles’ elegiac close with a cheerier finale that stuck to the text of the novel, by Booth Tarkington, on which the film was based. It also afforded Welles the chance to bring his expressionist style to an otherwise Norman Rockwell-like New England, which allowed him to lay bare the corruption beneath the facade of a sunlit vision of small town America.
Robinson wasn’t so keen on those scenes. Statement of intent: This assignment is based on Albert Camus' The Outsider. Welles later told Peter Bogdanovich that the film was such a rush, the person directing had simply been whoever was closest to the camera, though he still ascribed to Foster the directorial credit. Thody concluded that Camus illustrated two contradicting themes, human life will be more worth living because it has no meaning and that a person who is lacking self-awareness will never have a correct representation of attitude towards [...], The reason why this quote is important goes beyond the fact that they are the opening lines of the novel. It is mandatory to procure user consent prior to running these cookies on your website. Did he really feel nothing? Welles would continue to lament the fallout, once remarking ‘They destroyed Ambersons and it destroyed me.’ Thus from the late summer of 1942, he returned to radio. His aloofness, though, may not have saved him from suffering. Albert Camus’ The Stranger: Summary… In The Stranger, Albert Camus portrays Meursault, the book’s narrator and main character, as aloof, detached, and unemotional. We also use third-party cookies that help us analyze and understand how you use this website. He experiences life as a spectator. Some of the plugins which add to the functionality of Culturedarm make use of cookies, aggregating performance data and taking note of your preferences.

Meursault’s unresponsive behavior, distant from any apparent emotions, is probably reinforced by the despair which he sees open and feeling individuals experience.

Strangely, this was not the case for Meursault. While this behavior can be seen as a negative trait, there is a young woman who seems to want to have a relationship with Meursault and a neighbor who wants friendship. Meursault rarely shows any feeling when in situations which would, for most people, elicit strong emotions. I couldn’t understand what it was about and he said, “You keep shooting me on my bad side.” Now can you imagine Eddie Robinson having a bad side?

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